Wednesday, February 16, 2011
Standard criticism tossed about Marc Jacobs, who staged heroic fashion show Monday evening, February 14 in New York, is that although it is highly significant designer, he nevertheless a simple sampler.
This is a view not often cry loudly, given the success of Jacobs and brilliant "night time" job as creative director of Louis Vuitton - the most lucrative in the world of luxury goods brand. But many fashion insiders regard Jacobs, a visitor to thrift shops, a collection which mixes and new interpretations of other, earlier ideas, updated to the present.
However, since the sharp-edged shine in this collection fall 2011, thoroughly inventive series of chess form the shape of a silhouette, a witty tribute to the power of Visual peas and an intriguing meditation on the art paranoia, it should be clear to all that the great innovator Jacobs can be.
This paranoia was evident from the setting, long shiny runway, dissected by six massive columns, padded white plastic retro, offering high-class psychiatric ward in the 60's television series. The hard edge of the fabric is also called a science fiction film sensitivity - with a polyester shirt, trousers and rubber Cordovan brogues.
Great idea for the designer falling Fashion Show uses the peas, so much that the model almost looks like a vertical Dalmatians. He used the seats in the futurist skirts of huge glitter, sexy pantyhose, striking blouse cellophane or Tweedy jackets.
"Cut" in terms of a chess pawn, as the curvy shoulders, below the knee proportions, the collection of court quality, compounded by the fact that the evaluation of models in this collection of 63 charming look worn berets, some with a chinstrap, some felt or beaver, many with spots.
A brilliant fall 2011 collection had every right to succeed to the great platform shoes with a contrasting color wedge supports, which were super smart and eminently practical importance to the sidewalks of New York, many still caked in black ice from a long, hard winter.